Last weekend my daughter’s love of the theater brought me and hundreds of people a wonderful gift in the form of a Czechoslovakian Holocaust survivor, Ela Stein Weissberger.

My twelve year old was in the ensemble cast of the operetta Brundibár, our first experience with the Children’s Theater of Annapolis. Brundibár, composed by Hans Krasa in Prague for a competition in 1938, was only performed twice in a The Jewish Orphanage for Boys before the children and staff were transported by the Nazis to Terezin, a layover for most on the way to the extermination camp, Auschwitz.



Terezin, a Czech village of seven thousand citizens, inflated to at times 90,000 Jewish prisoners. If they weren't transport to the horrors of Auschwitz, they faced starvation, exposure, typhus, and fear in Terezin. Of the 15 thousand children brought through Terzin, only 100 survived. One of those surviving children was Ela.

The Nazis forbid the education of the children in Terezin, but the adults did their best to smuggle in paper and pens. After their long days in stone mines or other hard labor, the adults taught the children what they could. They encouraged them to write poetry and draw pictures on the back of scraps of paper and old forms. When Hans Krasa arrived, he managed to sneak in his children's operetta, Brundibár.

Although education was forbidden, for some reason, the Nazis granted permission for the children to learn and perform this short little opera about a brother and sister overcoming a villainous organ grinder with the help of the other children and a few talking animals. It was the story about how banding together gives victory over tyranny. Fortunately, the Nazis didn't speak Czech.

The Nazis did take advantage of the performance when they used Terezin as a cover for the international inspectors. After shipping thousands out of the prison-village, the Nazis planted flowers, provided better clothes to the prisoners, built a bandstand in the town square, and had the children perform Brundibar for the Red Cross.

In all, Brundibár was performed 55 times in Terezin. Ela played the role of the cat in all 55 shows. This effervescent septuagenarian feels it is her duty to speak about her experience. She travels the world, taking the stage with Brundibár casts for the final victory song which she still sings in Czech.

Before the operetta, the performers read from the poetry recovered from Terezin's children. One of their teachers, on hearing she was to be shipped out, filled a suitcase with the contraband poetry and art and hid it in an attic in the village. It was recovered after the war and is now performed with the opera.

Ms. Weissberger spoke to the cast before the show opened and to all of the audiences. She continued to unravel her tales in the lobby where she signed books and programs.

She told stories of the children she performed with and her teachers. She spoke of the growing numbers of "the deniers" and the need to remember. She held up the star the Nazis gave to her so many years ago and said in her Slavic accent, "Now it's my lucky star. I am Jewish and not ashamed of it." She said after the war she thought Brundibár died with her friends. She thanked the children and the audience for remembering her friends through their performance.